What’s Old Is New for Westworld (Yet) Again with “The Auguries”

Westworld Season 4, Episode 1 “The Auguries” Review

After two seasons of incomprehensible twists and two years off the air, Westworld‘s fourth season premiere appears like a second out of a time, a return for a collection whose cultural and demanding cache have collapsed so laborious, there are moments in “The Auguries” the place it virtually feels just like the actors are confused to how they’ll nonetheless be on the air. But all narrative loops should shut (and within the age of “IP”, repeat without end), and “The Auguries” is not any completely different: when it isn’t explicitly paralleling its pilot episode, it’s repeating acquainted bits about free will and future – which, in opposition to the chilly post-modern backdrop of its close to future, feels quite a bit duller and one-dimensional than it did throughout the confines of its synthetic Western backdrop.

Picking up eight-ish years after the tip of “Crisis Theory”, “The Auguries” resists the urge at each flip to fill within the blanks of that point interval, whilst characters contemplate how little the ‘revolution’ of season three triggered the world. The wealthy and highly effective stroll round with extra firepower, and rideshares have taken over society, however in any other case – all the pieces just about appears to be the identical within the ‘new world’ Maeve was so excited to wax poetic about within the closing moments of season three – to the purpose that Caleb is again to working the identical fucking building job, besides this time he will get to return dwelling to the Put Upon Wife Who Just Wants Her Man to Be Happy (Nozipho McIean, doing one of the best she will with some terrible, trope-ridden materials). Maeve is in hiding, and Dolores – nicely, Dolores continues to be lifeless and gone (although we’ll discuss that shortly).

Immediately, “The Auguries” struggles to determine its rhythm; because it left the partitions of the Westworld park, Westworld has struggled to exist within the ‘actual’ world, one with out the neat boundaries and definitions of its varied theme parks. The extra room Westworld is afforded its inventive train on the wedding between free will and violence, the much less it appears to must say about humanity and its plight into robotic destruction; regardless of having survived a near-societal breakdown, the flat world “The Auguries” locations most of its motion in fails to offer itself form, regardless of nonetheless being such an essential a part of the present’s dialog about humanity’s self-determined future of self-destruction.

Though “The Auguries” bounces round a bit – leaving the town for a bit to look at Maeve, who has been sitting in a cabin for practically a decade, simply watching the recollections of her ‘daughter’ on a loop – it’s largely centered on how its lifeless world has trudged on after Rehoboem’s destruction, and notably, on a personality named Christina (Evan Rachel Wood, with out Dolores’ signature blond locks).

Our first introduction to Christina is Westworld providing a limp model of The Matrix Resurrections’ first act, with Christina working as a sport designer who’s given nakedly authorial monologues from her boss in regards to the tales individuals need and what makes cash (you get the deal; fortunately, this doesn’t drag on for too lengthy within the episode). She simply needs to lose herself in a narrative with a contented ending, and as she tells a date arrange for her by her roommate (West Side Story‘s Ariana DeBose), is actually captivated with telling the tales of NPC’s within the video games she makes.

Which LOL – okay positive, if it felt like Westworld was truthfully participating with its personal fourth wall by way of the lens of its artificially-enhanced characters. But that’s not what this collection is (the one whisperings of humor which have survived season one are Maeve’s one-liners and William’s growling insults)… to not point out the truth that I simply don’t consider it.

Look, Westworld isn’t going to be cured of its self-important nonsense; the very lack of decision round William and Bernard’s fates from the season finale are proof that Westworld has no real interest in linear, cogent storytelling. Obfuscation and convolution are this present’s dramatic instruments of selection (particularly in its post-Anthony Hopkins period), not inquistiveness by way of narrative readability; Westworld needs us to consider how complicated it’s, and be marveled on the superficial concepts of identification and selection buried underneath its unnecessarily intricate, complicated model of storytelling. A

And that’s why I’m calling bullshit on Christina – and was doing so earlier than the Teddy reveal within the final 4 seconds. We all know there may be some narrative trickery bullshit someplace deep inside this season premiere – I refuse to consider this present realized something from season three, which is why I’m prepared to guess Christina is simply Dolores inside one other simulation. Maybe she’s the AI writing the tales of characters for the parks? Or inside a simulation attempting to extract the place Bernard, who holds the important thing to the Sublime, has gone?

Regardless of the reply, “The Auguries” doesn’t exit of its option to construct an entire life for Christina, merely a skinny slice filtered by way of the “day within the life” framing used so eloquently within the present’s first season. Here, it appears like Westworld lumbering by way of a preamble to a narrative with no justification; it’s thriller for the sense of thriller, counting on intrigue and awkward references to the previous (at one level, Maeve factors at one of many bots chasing her to remind the viewers that hey, it’s Col. Brigham from season one!) to hold itself by way of a fairly lifeless premiere holding its playing cards to shut to its chest (or, within the case of Caleb’s spouse, the dream of a really perfect household life unmarred by an unhappy husband).

Light on cool reveals – save for the flies factor, which I’ll speak a bit about beneath – and heavy on empty allusions, Westworld‘s season premiere feels virtually like a parody of itself at occasions, self-serious and allusive in a means that hinders any sense of dramatic propulsion its few thrilling, pushed moments might be.

Other ideas/observations:

Ok, so the flies: actually appears like a Horizon: Zero Dawn meets Invasion of the Body Snatchers sort of factor, the place William is controlling (or using) a military of robotic flies that invade the human thoughts and take management? All I do know is there was a point out throughout season considered one of how the flies have been the one factor the park couldn’t management – which, given all of the parallels this episode attracts to its earliest hours, appears to counsel the inverse is occurring right here.what number of of you remembered James Marsden’s character was named Teddy earlier than I mentioned it? Be trustworthy.We actually doing this “put Bernard in three scenes a season” bullshit once more? Can Westworld perhaps ebook Jeffrey Wright for greater than every week this time round?I’d have to return and test, however I don’t suppose Caleb’s spouse is called on this episode. Which… c’mon, man.I don’t know which little bit of dialogue wins the On the Nose Award, so that you select. “No one with that a lot cash is with out sin” and “This is America. Everything is for sale.” are each so fucking unhealthy.It’s bizarre to have a present principally throw away its whole third season; actually nothing from that season bears any weight on this episode, to the purpose it virtually appears like this present is a re-pilot from the tip of season two (given how little really occurs in season three outdoors of goofy plot convolutions, I suppose this needs to be anticipated to some extent).Caleb is seemingly now a 4chan conspiracy theorist, which….. looks like a nasty option to reintroduce him?Maybe I’m jaded, however Maya’s “which footwear ought to I put on?” appears like this present’s nod to LOST, which… not earned!Also, re: Caleb: in accordance with this present’s timeline, he principally saved the world, fucked the following day, after which turned a dad. Which… okay, positive?Seriously – the place the fuck is Bernard?

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